SECOND EDITION
The second edition of Good Pitch Vancouver was a great success, welcoming 171 representatives from national and international organizations. Over 216 pledges and partnerships were ignited with the aim of enriching the lives of individuals, transforming communities and tackling some of the most urgent issues our society is facing. Take a look at the photos from our event or read the detailed reports!
THE FILMS
DETAILED Film REPORTS
We’ve created public Digital Packages for each film project you can download below. They are easily shareable with board members, colleagues and partner organizations. They include the film team’s pitch, trailer, pledges and photos to relive the day, and contact details for the filmmakers.
FOOD FOR THE REST OF US
From a farm in Hawaii, to greenhouses in the Arctic, and one of the only female kosher butchers in the world, this film tells compelling stories about people who are using food to fight for a better world, despite a society that alienates us from that which nourishes and sustains us. Directed by Caroline Cox and produced by Tiffany Ayalik.
THE GIG IS UP: A Very Human Tech Doc
In a world where millions of people find their main source of income from gig work, the side hustle, the on-demand economy, this film poses a critical question for the rest of us, How can we value the human lives behind this work? Directed by Shannon Walsh and produced by Ina Fichman.
LOVE, THE LAST CHAPTER
Exploring the taboo topic of elder intimacy and the stigma surrounding aging and decision-making, this documentary visits the Aspen Silvera Home for Seniors where involvement in romantic relationships creates challenges for the residents, uncharted territory for their families, and disruption within the elder care system for facility staff. Directed by Dominique Keller and produced by Coty Savard and Karen Pickles.
FIRST WE EAT
Putting food sovereignty to the test in the far North of Canada, filmmaker Suzanne Crocker banned all grocery store food from her house for a year and fed her family only food that could be hunted, foraged, fished, trapped, grown or raised around Dawson City, Yukon, capturing the attention of others who also believe in the surprising bounty of the North. Directed by Suzanne Crocker.
the magnitude of all things
A cinematic exploration of the emotional and psychological dimensions of climate change, this film weaves together two powerful stories of grief: the death of the filmmaker's sister and the tragic state of climate change, provoking viewers to find meaning - and meaningful action - in our troubled and changing world. Directed by Jennifer Abbott and produced by Andrew Williamson and Henrik Meyer.